Daisie Alfaro

Dashing Unicorn is a sweet and colorful handwritten font. It has beautiful and neat characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive!

Ardenson is an invitingly delightful script with a retro flair. Inspired by apartment signage of the 1950s and 60s, Ardenson strikes a vintage note that also feels at home in the present time. Perfect for any logo, signage, label design or any other project that needs a unique charm and laid back attitude.

Barkeliy feels distinct and delicate. This flowing handwritten font is the perfect choice for a wide variety of designs. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

Almonade is a cute and casual handwritten font with an incredibly friendly feel. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, this font will turn any creative idea into a true piece of art!

Maves is a modern and elegant font designed with a unique futuristic touch. Perfect use for classy visual brand identities such as logos, headlines, titles, labels, websites, stationery, business cards, or any advertising purposes.

Maves includes:

• Modern all caps fonts
• Numbers and punctuation
• Multilingual
• Opentype features

We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so you can see and access all Glyph variations.

We hope you enjoy our font - please do let us know by emailing us at info@prestigetype.com or prestigetypestudio@gmail.com if you need something!

Novus, meaning new, is a contemporary slab serif that introduces soft curves throughout, creating a typeface that conveys a softer tone while retaining the robust feel of a great slab serif. 

Novus is an ideal choice for headlines, branding, advertising, websites, social media and packaging. It also works well for short and medium-length text. 

Novus supports Central, Eastern as well as Western European languages and comes in seven weights. Opentype features include; ligatures, subscript, superscript, numerators, denominators and fractions.

Opulence is a font designed to show the world you mean business. Inspired by Times New Roman, this contemporary serif typeface is perfect for business cards, logos, presentations and web.

Crafted to promote a modern, clean and elegant solution for your projects.

Not only is it a solid, bold choice for a title, it also shows its strength a subtitling and body text. Opulence contains 187 beautiful characters with latin and western language support.

Calligraphic Afera is beautiful. This is a strong, high-contrast typeface with a dynamic disposition based on drawing with a cut nib, i.e. traditional typography. It exhibits its specific disposition in the details of each character. The font is a suitable tool for headlines on a website, blog, magazine, or poster. It also works well for package design. This calligraphic style is an elegant tool for headings communication.

Specimen:

http://carontwice.com/files/specimen_Calligraphic_Afera_Beauty.pdf

Sintyabelinda - Sintysbelinda is Signature Font, suitable for any projects such as logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, t-shirts, book covers, name card, invitation cards, greeting cards, label, photography, watermark, special events, and more. stylistic set alternate and swash make this font so classy, this is a font worthy of your collection. Thank you.

Adrielle is a Stylist & Lovely Handwritting Font.

Adrielle is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Adrielle also multilingual support.

Uppercase & Lowercase font Stylistic Alternates Ligatures Symbols & Punctuation OpenType Features.

Enjoy the font, feel free to comment or feedback, send me PM or email.

Thank you!

Santa Robin is a Modern Handbrushed Font.

Santa Robin is a sweet and friendly handwritten font. This playful font will look gorgeous on a variety of design ideas. It will add a joyful and romantic touch to each of your projects!

Santa Robin also multilingual support.

Enjoy the font, feel free to comment or feedback, send me PM or email.

Thank you!

Goldside is a Bold Monoline Handbrushed Font.

Goldside is a bold and elegant handwritten font.

Its distinct and well rounded letters make this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Goldside also multilingual support.

Enjoy the font, feel free to comment or feedback, send me PM or email.

TROPICAL ORANGE is a Fun Modern Handdrawn Font.

Tropical Orange is a fun handwritten font. This font is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

TROPICAL ORANGE also multilingual support.

Enjoy the font, feel free to comment or feedback, send me PM or email.

Thank you!

Thinker Justice is a Modern Handwritten Font.

Thinker Justice is a trendy and modern handwritten font. Simple and natural, this font will become your top choice for formal and informal designs in no time!

Thinker Justice also multilingual support.

Enjoy the font, feel free to comment or feedback, send me PM or email.

Geometric, stylish, and not quite a stencil face: Glance Sans is the urban alter ego of Glance Slab—a strong-willed sans-serif with no frills but a few unique character traits.

Glance Sans follows the design principle of nonjoining parts that made Glance Slab successful. Some strokes may not connect to their stems, creating visible gaps and thus, a dynamic impression of balance and movement. However, Glance Sans has a calmer appearance due to the lack of detached serifs. If Glance Slab’s home territory are large, crowded stadiums and massive sports events, Glance Sans prefers streetball courts, well-used skate parks, and underground clubs. It also adapts to urban work environments from finance to high-tech. Whenever a more toned-down look is called for while retaining the elegance of an athlete, Glance Sans is ready to roll.

In the city environment, versatility is key. That’s why Glance Sans sports 7 weights as well as a complete set of italics. These are not just sloped romans but individually drawn letterforms, subtly referencing classic italic construction for more effective emphasis. Among the 600+ glyphs of Glance Sans, you’ll find goodies such as six sets of figures, circled numbers, circled arrows, and all kinds of currency symbols in two stylistic versions. Glance Sans is a great tool for industrial and high-tech branding, for wayfinding systems in contemporary or modernist architecture, for corporate identities in arts, crafts, medicine, culture, and education, and for all kinds of sports-themed design.

Both members of the Glance superfamily are easily and effectively combinable; both are able to stand on their own feet. With its powerful italics, you might opt for Glance Sans as your text typeface and use Glance Slab for headlines. Or you set large, clean, display-sized lines in Glance Sans and spice them up with a bit of sportive Glance Slab. It’s up to you to decide how to bring out the best in both of them.

JT Collect by OGJ is a Grotesk applied at global sportswear brand NIKE.

Designer and Art Director Interview with Redwan El-Harrak (for Sang Bleu), who played a central role at the Nike LDN Capsule Collection — designed for the 2019 London Marathon.

OGJ: Welcome Red, thanks for taking time for an interview regarding the excellent job you did at the Nike project! Please tell us more about why you chose Collect and how you worked with it.

RED: No problem and thank you for the kind words. Collect was an easy choice to make and was a design decision made pretty quickly actually. The breadth of the Collect family meant that was a lot of different personalities to pick from and I instantly felt that the Max style had a certain energy that aligned perfectly to the Nike brand — in a way it felt like it always belonged to that world once I saw it in the design. The Max Italic in particular added some movement with its inclusion.

Both the Max and Max Italic weights were used for the wordmark and during the design process Maxime Büchi and I realised that the symmetrical N leant itself cleverly as a connector for LDN and RUN.

In the end the concept leant heavily on Collect, with the typeface doing a lot of the work.

OGJ: Can you tell us more about the illustration concept?

RED: Well the illustration was kind of the first starting point of the concept. In my mind I wanted to show London as a deconstructed landscape with the fragments that could fill a runner’s environment, which is experienced in almost a distorted sense due to being on the move. So we have architectural scraps of Big Ben and other quintessential monuments of London sitting on top of humble newsagents and chicken shops.

I knew straight away who I wanted to commission with Stijn Jonckheere and his style essentially being the baseplate of the concept.

Once we had that part of the puzzle figured out, that’s when we moved onto the type work and where Collect also really helped. So on one hand the typeface felt very connected to the Nike brand but also sat well with Stijn’s work and he did an excellent job integrating and embedding it as a graphic device into his airy yet industrial aesthetic.

OGJ: Do you see the other weights being able to work to give different personalities?

RED: Absolutely. It was the biggest draw for me in the first place as part of the design process — it’s really useful to have a type family such as the Collect on hand as it allows me to test ‘personas’ out quickly; changing the weights, playing with the tracking and typesetting etc in order to find the right feeling within some set parameters.

I can see it being applied in a multitude of ways. Ranging from very functional contexts right up to more display led use in editorials and posters. Then you have the possibilities of packaging, branding and so on – if anything kudos to you Oliver for creating such a great family.

– –

Pair JT Collect with a condensed cut of the Trade Gothic.

With the Caslon.

Pairs also very well with a traditional Chinese, Japanese or Arabic type.

Erotick is a new geometric font for a futuristic minimalist logo design, officially my favorite. with this pretty all-caps case it's very versatile and looks great in any context. You can match custom alternatives that will make your designs stand out even more! Erotick is ideal for branding, advertising, logos, magazines, headlines and more, while its simplicity allows it to be a useful family for many occasions.

FEATURES:

• Uppercase

• Alternative

• Numbers & Punctuation

• Characters with accents

• Supports Languages

This type of family has been the work of real love, making it as easy and enjoyable as possible.

I really hope you enjoy it!

Milonga This is a beautiful and elegant hand drawn font, will emphasize your individuality in any project. Its relaxed feel makes this font incredibly versatile, fitting a wide range of designs. You can also use them to create a logo or templates, invitations, blog, branding, marketing, book covers, magazines, advertising, stationery, logo design and much more. This font is easy to use has OpenType features

Meet Grand Cru – a new approach to serif type. The type family is divided to three groups – Small, Medium and Large – according to the amount of contrast in letterforms. Forget about those old Text/Display categories – it’s up to you how to use your typeface. While the Grand Cru Large fonts are highly decorative, the Small versions function as reliable workhorses.

All Grand Cru fonts come with thoughtful Open Type features – built-in small capitals are found in all of them, while the italics come with handsome Swash capitals. The romans are equipped with intelligent numeral styles including subscript and superscript and fractions.